Writer note: This shot list has been crafted before the selection of shots that will make the cut to adjust the length of the project to the 2 minutes and 30 seconds maximum mark. Expanding on, this inevitably means that if you add all of the seconds from each individual shot, the number should be bigger that what it will be in a near future once the selection is made. Later on before the coursework deadline, a post will be launched containing the specific shots that will definitely appear in 'Insomnia Project'.
Shot Number | Camera Movement | Angle | Position | Shot | Length of take (seconds) |
1 | panning |
| eye-line | long | 6 |
2 |
| OTS | eye-line | medium close-up | 4 |
3 | static |
| eye-line | medium | 3 |
4 | static |
| eye-line | medium | 3 |
5 |
| POV | eye-line | extreme close-up | 3 |
6 | static |
| eye-line | medium | 3 |
7 | static | OTS | eye-line | medium | 2 |
8 | static |
| eye-line | reverse | 3 |
9 | static |
| eye-line | reverse | 3 |
10 | static |
| eye-line | reverse | 2 |
11 | static |
| eye-line | reverse | 2 |
12 | static |
| eye-line | reverse | 2 |
13 | static |
| eye-line | reverse | 2 |
14 | static | high | high | medium | 6 |
15 |
| POV | eye-line | close-up | 2 |
16 |
| POV | eye-line | long | 5 |
17 | static |
| eye-line | cowboy | 4 |
18 | panning |
| eye-line | reverse | 6 |
19 | zoom out | low | low | long | 2 |
20 | panning |
| eye-line | long | 5 |
21 | panning |
| eye-line | close-up | 3 |
22 | panning |
| eye-line | medium | 5 |
23 | track | OTS | high | medium | 6 |
24 | panning |
| eye-line | medium | 3 |
25 | static | low | low | medium | 6 |
26 |
| POV | eye-line | long | 1 |
27 | static |
| eye-line | close-up | 5 |
28 |
| POV | eye-line | medium | 5 |
29 |
| POV | eye-line | medium | 6 |
30 | static | high | high | medium | 4 |
31 | panning | high | high | medium | 6 |
32 | static |
| eye-line | close-up | 2 |
33 | panning |
| eye-line | medium | 6 |
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